COURSE DESCRIPTION
Do you want to learn an instrument but can't
read music? Is there a piece of music you've always wanted to play but
aren't able to read? Have you always wanted to write music but don't
have the training needed to compose?
Understanding
how to read and write music is more than just a skill. It's a pathway
to gaining limitless possibilities in the world of music, from
performing music to composing.
Everyone relates with
music on a daily basis, whether that's relaxing to classical music after
work or performing in a jazz band at the weekends. Despite this, there
are few people who have a working knowledge of music theory. Classical
trained musicians are among these people. They can play any piece of
music and compose any tune that pops into their head at a moment's
notice.
I'm going to reveal to you how to read
music. After learning these secrets, you'll understand that it's easy to
read music after learning a few key principles and applying them.
You won't get many chances to learn these insights from somebody who
has taught hundreds of students of a wide age range and who regularly
advises teachers on how to instruct music theory. By the end, you'll
know exactly what to do to read any piece of music and the rules to
follow when composing music.
The skills in this course will help:
- Allow you to reach a limitless amount of music that you will now be able to read
- Transpose the music for an instrument that doesn't play at concert pitch
- You'll learn all the rules you need to follow when writing music
- Let you focus on learning your instrument in lessons and not get held back
Learning an instrument is something everyone should enjoy in their life, and understanding music is a skill you must have
to get to grips with your dream. It's incredibly rewarding to play any
music that takes your interest. Similarly, creating your very own piece
of music is a priceless achievement. However, without these skills your
dreams may struggle to be realised.
This course offers a rare chance to show you how professional musicians read music at such astonishing speeds. It's also vital guidance on the rules to follow when writing music.
The crucial advice
in this course will get you reading music in a matter of days. A few
weeks down the line and you'll be sharply picking up the speed you can
read music at. Composing will be much quicker and you will have a wide range of new possibilities to spice up your music, including ornamentation, dynamics, and articulation.
People don't realise that anyone can learn to read and write music.
It's not as challenging as it appears and you can learn this skill at
any age, even if you've never played an instrument before!
Join
the students who have already discovered the secrets behind
understanding music from an instructor that regularly advises other
tutors on how to effectively teach this subject. You will discover:
- How to read music
- How to increase the length of notes
- How rests are used to create silence in music
- What the different note names are
- How to structure music using bars and a time signature
- What rhythm and meter means
- Why you always need to use a key signature when composing
- How to emphasise certain notes with ornaments and articulation, giving it a certain flair
- How to create a dramatic pause in the music
- The crucial importance of the different clefs you can use
- What transposing is and if your instrument needs to do use this
These are just a few of the tips I cover to help you read and write
music so you can play or compose whatever you want. You'll be learning
these techniques and applying them in just a few days if you make this investment today.
There's also a no-risk 30 day money-back guarantee - no questions
asked. So you don't need to worry at all that what you're going to
receive is of top value.
I'm going to cover all the basics
you need to know of music theory so you can get started reading and
writing music as quickly as possible.
We aren't just going
to go over the rules. I've given musical examples and advice on how to
apply these tips throughout the course. This all helps to firmly route
the information into your subconscious.
When I learnt to
read music, I hated how repetitive, formal, boring, and convoluted it
was. I would dread going through music theory because I didn't find it
interesting for these reasons.
The philosophy I follow is that education should never, ever be boring. I've gone through the course keeping the content simple, clear, and - most importantly - INTERESTING.
I'll go through the key principles in my course step-by-step. This
way, you'll absorb the information and be able to read and write music
at a fast speed in as little as a few weeks.
CURRICULUM
Accidentals
All cows eat grass
Are we clear how to use bars and a time signature?
Are we clear on the stave and clefs?
Articulation
Bars and time signature
Can we now identify tones, semitones, and scales?
Can we recognise different intervals and key signatures?
Can we recognise note names now?
Can you apply what we've learned when composing?
Clef
Decorating the music
Do we understand note lengths and rests?
Do you know how to decorate music?
Do you remember these pointers on meter?
Dynamics
Getting in touch
Getting started
Guide - List of dynamics, articulation, ornaments
How well do we understand accidentals?
How well do we understand ledger lines?
Intervals
Key signature
Learning about scales
Learning the notes
Ledger lines
Meter
Mock test - Grade 2 ABRSM standard
Note groupings and tuplets
Note lengths
Notes
Ornaments
Rests
Rules of music
Scales
Stave/staff
Steps
Structural markings
Tempo
Testing your memory of musical terminology
Transposing
What this course isn't
What to do now
What you'll learn
Wrapping up
LINK FOR THE FREE COURSE
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